Rebellion 2017 – Day 2

Before every trip to Blackpool I sit down, pore through the lineup and pick out the must see and the nice to see. I have a problem today. 34 bands are on the list. That may not have been an issue for 18 year old self but it is a problem. It will sort itself out over the 13 hours.

The way I see it is that I’m a sponge and rebellion is my education. I may never see some of these bands again, we may never be in the same country together so I want to make the most of it. Let’s go for 34

Poly-esters were new to me. Playing in the huge empress ballroom, home to Darts, they engaged and rocked the lunchtime crowd.

I’d been looking forward to seeing Petrol Girls. There’s a scene of bands out there that have wiped gender breakdown away. Of course it doesn’t matter what gender you are playing in a band but Petrol Girls are screaming out about misogyny and sexism and their toe tapping noise is a glorious soundtrack to that manifesto. Petrol Girls are top of the pile throwing away the punk stereotype and ready to challenge you if you’re too comfortable.

Matilda’s Scoundrels from Hastings have that folky punk sing along feel. You want to be in their gang. Im struck by the fact that they seem to be the first band not selling merchandise as the 6 piece take over the stage.

I guess the real mackenzies are a Canadian version of Matilda’s Scoundrels, it seems bizarre to me but Canadians in kilts singing about drinking and playing bagpipes is something I’ve missed out on. For years though I ignored drop kick Murphy’s and am now a convert so maybe there’s hope for me for the real mckenzies. To be honest I hope not

Interrobang are taking music and adding some theatre, trying to unsettle the crowd but playing angular music. It’s not in your face but they are looking to reach into your heart. Dunstan sings like he is starting in Chumbawamba once more and he is still angry after all these years and will never calm down. We need bands like interrobang telling us they as mad as hell.

I’ve been communicating with Doug from flies on you in various guises over 30 years it all started when he was bass player in nerve rack and talking about playing in ireland. That never happened and decades got lost. Now he is on the “new” band stage with flies on you who have two great albums out. Doug has dropped the bass but the acerbic sound remains and it’s a fall-esque sound, well starts with the fall and nerve rack and mixes a whole lot more in. Great to see them on stage.

The featherz brought some glam to the day, at least for the three songs I caught. Nice change to the wall of noise on offer elsewhere.

Dave dictor tempted us last night with acoustic versions but tonight was the turn of the powerful MDC, more relevant than ever.

I missed the FU’s when I started listening to American Hardcore. Boston punks exploded on the stage tonight. Even treating us to some straw dogs sings which is what some of the FU”s became for a while.

Subhumans never change, even if some of the personnel do. They are still as good as they were, and playing many of the songs they played in, the youth expression Centre in an early 1980s dublin. These are another necessary feature of Blackpool. Again more relevant now as our political structure becomes more similar to the 80s.

Same with DOA, Canadian punks screamed for change in the 80s. Lead singer Joey keithley ran for office. They wanted a better future. They got a different one, better in many ways but the question remains was it worth it? This three piece were are as fast and powerful as anything else today with some tunes there screaming out

 

Attila The Stockbroker is on great form. Not just politics but emotions too. It must be so frustrating for any artist with all talking going on in the background in the acoustic room as people settle in for a drink and a chat. Attila defied them and told us all about the band we should form called “winter vomiting bug” which was dedicated to the band sick on the bus. He gave some newer poems which detail how working class people are still second class citizens despite all the years of words

I never saw or listened to Frank Carter before except when he was in gallows who I didn’t enjoy that much. At one stage he got a circle pit going right round the hall and just like the junior b hurlers they ran and ran badly in that circle

It’s been an interesting festival as the politics of today has lead to a lot more statements from bands on stage. If we can’t talk about what’s going on what can we talk about?, and bands grasped that. They have also reached out to those struggling with mental illness and this punk rock community should know it’s ok not to feel ok and just talk if things are getting to you. We are all in this together, whatever this may be. Frank Carter reminded us of words Petrol Girls had spoken earlier, it’s fine to be down just share it and let’s look after each other.

Membranes are special to me. This is their home town, well it’s not really but it’s the original bands birthplace and singer john Robb, is the sole remaining original band member. They have diversified in recent years and the post punk sound is still there but drone and power are the main traits on display. Tonight they have the backing of a choir which just adds to the sense of surreal spectacular in this car park stage

Wonk unit are increasing in popularity by the day. Each gig sees them getting more popular. Second last band on the empress tonight and Earlier they played a stripped down version of their set in the acoustic room. Not even room to stand. Empress crowd weren’t left standing, we were too busy moving our feet.

Their good friends slaves followed them. For a two piece they can sure fill out a stage. For a drummer with two drums and 2 cymbals there is some sound on stage. At times it felt like maybe, just maybe, they were trying a tad too hard but the power was something else, as was the visuals

I wasn’t sure if their style of humour would suit that big stage. But it did. Alex treated the crowd as if we were visitors to his regal home, sticky dance floor and all. Wonk unit have been described as a modern day snuff and that’s not far off. They will play any gig, won’t get lost or worried in the trapping of success. And they listen to punk rock and know they are no different to us watching them. Perfect.

Kiss my acid were the first of many Irish bands for me to see today. Snotty abrasive tunes with green day playing grunge feel.

I am a car crash are gaining interest. It’s easy to see why, more rock than punk and more post the pre, it was great to see the dublin lads on the big arena stage.

Protex played the opera house. It gave us a chance to sit down, relax and enjoy their power pop tunes.

Lee Harvey’s have a 1978 feel to their sound but with power. Close your eyes and they could almost be part of that northern Irish good vibrations scene. Great set.

Paranoid Visions pack some power. Deko says they are tjebhate of the city’s well there’s a certain section thaysboroud of them. Singing and powerful as if killing joke had attitude for dinner. There is a large Irish contingent at rebellion playing and spectating. Most of these were in the large pavilion crowd tonight as the visions played more recent material and are as strong, prolific and valid as ever

Ok I didn’t quite make the 34 but managed to squeeze in songs from Godfathers, the Professionals, and Bono too

Niallhope

Label Of the week – Alternative Tentacles

alterntativetents

One could easily be forgive for forgetting about a record label that has been releasing classic albums for nearly 40 years. it’s a sign of todays mobile world. We no longer need to rely on a labels good name for records to listen to. Alternative Tentacles started in 1979 and since then it’s roster has included (wait for it), Alice Donut, Citizen Fish, Leftover Crack, Noam Chomsky, Pansy Division, Unsane, Butthole Surfers, DOA, Nomenasno, Neurosis, Victims Family and of course Jello Biafra and his various music associates including the Dead kennedys.

They have been releasing records since California Uber Alles was unleashed amongst a legion of punks. It is almost impossible to get a list of releases as there has been cd’s, 7″‘s, digital releases and t-shirts all seem to have catalogue numbers. I can safely guess at around 400 releases. 400 picks of rockin’ hardcore and off kilter country tunes designed to educate a nation and overthrow the machinations.

When Crucifucks were singing about Wisconsin or the Beatnigs telling us that Television was the Drug of the Nation alternative tentacles were shouting from the rooftops.

After the Dead Kennedys gave us Frankenchrist the label started to run into trouble due to the amount of attention PMRC were putting. I contacted the label in the UK to see if Irish Punks could help out with No More Censorhip Defense Fund. We put a gig on, showed solidarity in the way the label have been showing since.

It isn’t just a label for punk rock and up front hardcore there is alternative twang of Evan Johns and Eugene Chadbourne or the rockabilly blues style of more recent visitors to Ireland, the Legendary Shack Shakers

It is still releasing records, bringing out podcasts and finding new ways to encourage subversion. Jello is still playing music and releasing records, Winston Smith is still producing art and the label still flourishes

niallhope

Rebellion 2014 Day 4

Rebellion 2014 day 4

Steve Ignorant

It’s always good to talk and listen so Ian glasper told us his story around his punk books. Great to hear the tales behind the book and its reason for existence

joey shithead is with terry chimes and Patrik Fitzgerald so missed his interview but I got to see 16 guns blast out their punk rock. Not sure of their history but they had a good crowd in the arena

One of the few bands I have watched a full set by is epic problem. The light show nearly prevented it as flashing lights on a Sunday afternoon don’t do a lot for me. Epic problem are worth it. Leather face with a street punk sound. Frenetic tunes from the north east of England. It made me think of all those good new bands like bear trade, Stay clean jolene, dauntless elite and holiday who are missing from the festival

Maid of ace are 4 women blasting out a rocky punk sound and a full on sound it is too.

The literary sage saw Seggs and ruffy from the ruts talking about everything they do is a tribute to malcom and foxey. They had to make light if the tragedy that befell the band but it is a story that needs to be documented

Garry bushell has a lot to say but needed better questions

It’s amazing how the ageing process takes us. Every day we change ever so slightly. I ventured into the empress ballroom and had a double take when I saw snfu on stage. La hardcore legends with that tuneful speed sound, visions of young skateboarders come to my mind when I think of snfu it’s all grey beards and long hair now, exactly how I would look if i grew my locks but to see it on a big stage, kind of like wizard

I love my Hagar the womb records. Played them to death as a kid. Its great to see them on stage having a ball and sounding as good as ever

Rhoda Dakar was in the body snatchers and did some guest vocals with the specials. She was a punk in 77 but you wouldn’t know by listening to back to the stage. 12 bar blues riffs, thankfully I didn’t need to stay

Old form casuals are just that, new signing for the day on drums. Popular street punk from Boston, not England but USA. They must get prize for biggest crew in the side of the stage tooy6

Walking into captain hot knives I’m the pavilion was like staking across a secret party. A packed room for one man and his guitar playing quirky songs about safety or whatever (usually drug related) Like a comedic Patrik Fitzgerald

Joey shithead from doa was backed up with 2 fellow band members. Stripped down doa songs still had the melodies and suited the ambience

A quick run to the pavilion then for the defects from Belfast. Every yearn I do this thing in my mind to see who has the most popular t-shirt the defects are up there this time. Their songs are about life growing up in Belfast during a warzome which most of snob the west will never comprehend. Strong Belfast punk

Sandwiched between 2 Belfast bands was Steve ignorant. He had already done a set with paranoid visions but his slice of life stuff is far more interesting to me It’s a step away from crass and is just are with some guitar, double bass and keyboards. Still singing about relevant topics but taking it to a different dimension. I only wish he would play non mainstream venues all the time. That would make it so more relevant. Unfortunately it had been a long day for Steve and we didn’t catch him on one of his great nights. Great songs though

I’ve been really looking forward to Louise distras all weekend. A young tv smith with a great sound and songs that mean something. all acoustic bar some rants. Good enough for the first encore of the four days. New album out too

I didn’t catch doa electric as something had to give but caught some of original sex pistol glen Matlock with his philistines. It was said earlier this week that the pistols lost it as a band when glen Matlock left. He was the musician to sids comedian and he can sure play. Their set is a mx of original and covers with a rockabilly slant

Nofx played Dublin in 1990. We put them on twice and I always enjoyed their sets. I was unsure of their onstage antics and nothing has changed. Plenty of banter, lots of innuendo but the music is catchy and fast as hell

It is totally apt that the last band for me to see is ruts dc, mixing absolute classic ruts songs with their dub inspired sound. It is often said that we renewed our more recent memories best well thankfully this was a send off rebellion deserved. Poignant in the ruts dc remembering rebellion friend sharkey who passed away earlier this year. As I left the pavilion the empty spaces were the stalls were heaving over the past four days greeted me. It was a poignant moment, rebellion i will be back next year, if only our dear departed could be with us

niallhope