Banter – Feb 21

On Tuesday February 21, myself, Michael and a number of those who’ve contributed to the book – plus some surprise guests – will join Jim Carroll at Banter to talk about the book, the notion of favourite gigs and read their selections as well. Audience contributions welcome too. Guests speaking include….
Ellie & Louise McNamara (Heathers) on The Mountain Goats, Bloomington 2011
Frances Roe (Jam Jar Jail) on Rocket from the Crypt, Dublin 2001,
Edwina Forkin (Zanzibar Films and ex-TCD Ents Officer) on Sonic Youth/Nirvana and early Therapy?, 1991
Elvera Butler (Reekus Records) on The Stranglers and The Who, 1970s
Suzanne Rhatigan (singer and promoter) on Grace Jones at Electic Picnic, 2015
Peter Jones (Paranoid Visions) on the Poison Girls at Sean McDermott Street, Dublin, 1983
Ferdia Mac Anna (director, novelist, screenwriter & Rock Devalera) on Thin Lizzy, Dublin, 1971
Peter Devlin (musician, producer and broadcaster) on The Specials/The Beat, Stardust, Dublin, 1981
Mick Heaney (journalist and DJ) on The Cramps, Boston, 1986

Tickets only €5.50 available here –
https://www.eventbrite.ie/e/banter-in-concert-tickets-31642900768?aff=es2

Banter on In Concert will take place at Wigam (Middle Abbey Street, Dublin 1) on Tuesday February 21. Doors open at 6pm and the event will kick off at 6.30pm.
Like the book, all proceeds will go to the Irish Red Cross’ Syria Appeal.

2015 Gigs of the Year: Heathers

Gigs of the Year

Heathers
Dun Laoghaire Institute of Art, Design and Technology
15 September 2015

In mid-September, the sounds of both the veteran and new upstarts of punk rock were still fresh in my ears. The annual Blackpool Rebellion summer festival is a parade of punks that would be spectacular anywhere. Yet it is particularly spectacular because of its location. While, as John Robb so eloquently stated, Blackpool is the ‘tatty seaside town’ personified, the punks gather and stomp in the mighty and magnificent ballroom that in the past hosted the bright lights of ballroom dancing, comedy and even politics. Do the punks have a good time? Oh, yes they do.

And here I was in another seaside town, this time the Dublin suburb of Dun Laoghaire when I chanced upon a gig that was so quietly ‘promoted’ that it was almost a secret. Naturally I recalled the first time I saw the Heathers live, in the summer of 2007, in what I believe was their debut gig, in Dublin’s Lower Deck venue, appropriately by the banks of a canal. I saw the band many times in the two or three years after that introduction. And I never saw them do anything less than a fantastic show despite the variety of venues in which they performed. I saw them in a suburban Deansgrange back garden, and I even remember them playing in the lobby of the Project Arts Centre with their extraordinary ability to make everyplace feel like home, and every member of the audience feel like a welcome guest into that home.

To my ears, Ellie and Louise MacNamara, who make up the Heathers, were the best band of that mid-2000-2010 generation. And so tonight, at a post-tea time gig, was like seeing old friends I had not seen in a long time. The audience was hardly inspiring; in particular a few drunken student lads who were probably giggling at the same jokes as they had been in secondary school. Banter and bluster and pre-drinks, I suspect, or ‘prinks’ as they are now known as in this part of the world.

If I was playing for them I wouldn’t have felt the urge to deliver my best….but that’s where I am differ from Heathers. Ellie and Louise played as fine a gig as anyone could expect, the sort of gig I imagine people play when the audience numbers in the thousands rather than the tens. It was noticeable how much stronger their voices are since those early, precious and spell-binding gigs. Yet the magic is still there, and is just as potent. They introduced their brother Martin, who played the perfect accompaniment on electric guitar. And while Louise and Ellie used to generate their own electricity with just their voices and acoustic guitar, tonight Martin MacNamara brought shadows and light to their sound, never taking anything from his two sisters.

They delicately picked Springsteen’s ‘Dancing in the Dark’ apart and made it the perfect sound for September suburbs; equally they embroidered Lana Del Ray’s Summertime Sadness with a delicacy the original lacks. And between these covers they played a new song, which might have been called Winter, which held its own even in such mega-selling company. They have also lost some of the shyness which marked their early shows, and are happy and engaging and funny in a spontaneous way. They told tales of hypochondria and fears of the ‘freak spiders’ which have begun to appear in Ireland; tourist spiders perhaps, attracted by the Irish Tourist Board’s use of Heathers’ music in their ads.

Songs like Forget Me Notes sparkled even in the Spartan setting, and it was not just nostalgia that made songs like Remember When, sound great. They were also gracious to the audience, and not in a creepy crawly way that the fake pop starts can be. They reminisced about how they ‘always have such a great time at IADT’. They are probably unaware just how much wonderful gigs by incredible artists can bring magic, artistry and inspiration to any school or college. It should never have been a remarkably gig, yet it was. Brilliant and wonderful.

It was a treat seeing a band I had not heard for a few years and discovering that they were even better now. I look forward to hearing more from them, and from their brother Martin, in 2016.

Michael Mary Murphy

https://www.youtube.com/heathers