Rebellion 2017 Bratakus,

BRATAKUS

 

It’s not even four o,clock and I already have a new favourite band.
Girls and boys looking for contemporary punk role models need look no further
They are two-piece, so lazy comparisons with House of f
Freaks and even Carter the USM are inevitable, yet that shouldn’t take away from how original and powerful Bratakus are.

I love their song Open Your Eyes with its manic panic energy.
They did a wonderful cover of the Cress song Breakdown which again had an industrial-scale full-throttle force.

They are fast, frantic, fantastic and fun and show that the spirit of true girl power is alive and thriving in 2017. Their new CD is just out and boasting songs like I Know Nothing it is well worth checking out. They finished their set with Products a song proudly introduced as an animal rights song.
Michael

 

In Evil Hour
were a revelation when I saw them first at Rebellion two years ago. They have got even stronger in the interim. Packing a visceral push without sacrificing melody and boasting a commanding female vocalist they are well worth seeing if you like your rock. It is easy to understand why Niall splashed out on their album when we saw them last. They are still comfortable on the main stage and I look forward to seeing them move up the bill.
They move seamlessly from melodic singalong to growling shrieks with a pulsing rhythm of the classic four piece rock bands.
Michael

 

Pog
So sad to say that I missed them today, but we managed to buy three of their albums. The covers are just what you hope an indie band’s album covers would look like. Artful, beautiful, distinctive and evocative. And we got to meet the band-member who designs them too. Really looking forward to checking them out.
Michael

Rebellion 2015 day 2 from the wildhearted outsider

Rebellion Day 2

Here’s the thing…a few thousand punks gathered together in a Northeastern English Seaside town in August 2015…why would that matter? Is it all nostalgia? An attempt to recapture, relive, or even reimagine youth?

The Q&A conversations provide an opportunity to hear first-hand reflections from some of the people who were there. Pioneers.

Jules Denby has lots to say. Se is also fantastically articulate about what it was like to try to break into the music industry in the post-punk era. To get New Model Army gigs she pretended to have he own agency…yet as she reflected on how hard it was to break into the inner circle of culture…she concluded that it is harder now. To her freedom of expression has become more difficult for young artists…it has become a declining circle of opportunities….now parents pay thousands of pounds to get their kids’ bands started. Never mind DIY.

Today’s highlights included a number of female-fronted bands. And the most positive thing is that the female musicians and singers didn’t appear to be pandering to some cliched idea of what ‘rock stars’ or ‘girls in bands’ should look like. These were young women worthy of respect…commanding respect.

In Evil Hour showed another way that punk had reinvigorated and inventing itself:by getting a blood infusion from heavy metal. The female singer had a great tuneful voice and wasn’t afraid to screech when the music called for it. A band with a kick and a punch….and looking comfortable on the main stage.

Brassick were also impressive….powerful, packing a blast of energy and exciting to watch. I know I am using the language of fighting to describe these bands and that seems appropriate when there are so few women being taken seriously by the music industry…or taking the brave decision to bypass it.

The Ruts DC in conversation with Alex Ogg was another highlight. I feel that punk’s history and legacy is in good hands with people like Alex around to research and champion it.

The Ruts DC were fantastic in conversation and just as impressive on both the acoustic stage and during their full electric set. They took the essentials of that early punk movement and made songs that were pared down to their essentials yet had room to breathe and have a deep rhythmic resonance. They always bring to mind Fugazi…that no-nonsense economical approach…nothing wasted…everything in the perfect place. It sounds easy but is meticulous. They both make music that stands the test of time.

The Gang of Four’s debut, Entertainment, was one of the great albums of the era. So different….so exciting….funk rhythm….dance music with considered lyrics…words that made us think about our consumption…how we lived…how we received our information…..isn’t that a fine legacy?

To sum up Jules Denby and to quote Segs from Ruts DC: this is about “people unite”! It is about a caring community. And what could be more inspiring than that?

Honourable mentions to the energy of Cynadie Pills, Arthur Brown who pioneered the theatre of heavy metal in the 1960s, and the Damned whose Neat Neat Neat and Smash It Up were still joyous after all these years.