Rebellion 2017 Slice of Life

Slice of life

Here we have Steve Ignorant of Crass with an interesting piece of theatre. And by interesting I don’t mean crap/self indulgent. This is raw emotion with a lush background of keyboard, acoustic guitar and bass from a cracking backing band including beautiful male female harmonies.

It’s a reminder that Crass’s gift was to inject punk with a healthy [over]dose of sixties subversive theatre.
Instead of Crass black this is a white workingman’s shirt with boots and braces show, it reminds me of Yoko Ono’s primal screaming. A good reminder that the counter culture of the sixties didn’t end in a full stop.

There’s no middle ground here, take is love-it-or-hate-it no prisoners raw theatre. Ignorant performs as a deranged 1930s [hard]workman. And Ireland’s own hardest working man in punk, P.A. Jesu from Paranoid Visions formed a spontaneous choir in the audience during tonight’s performance, proving there is no barrier between artist and audience.

Ignorant was a true anti-star and tonight he spoke of Las Vegas but this was Blackpool vaudeville with the ghosts of the men and women who were never given their own show, their slice of the spotlight.

Rebellion 2017 – Day 1

Rebellion 2017 day 1

Simon and Carol captivate the acoustic room

And so we return. A little greyer, mostly a little bigger but no less enthusiastic. Blackpool 2017 for this first weekend of August is less kiss me quick and donkey rides and more punk rock nostalgia as the home of the 80s political conferences is taken over by the punks. 7 stages kicking off with bingo from max splodge of splodgenessanounds. Max regaled us all on top of the pops with two pints of lager and a packet of crisps please and now he is in the bar calling out numbers for bingo and that very same order over and over again.

Today’s festival began with a race against time. Four full days of live music ahead and my 10.35 plane looks like it won’t get there on time. I will mix Max’s bingo and Geoffrey Oicott. But I wait in hope that I can catch Epic Problem, the spoilers and the tuts.

One issue of having 7 stages is there are bound to be clashes. They usually work out as 4 songs from a band you want to check out is far better than never being in the same room as them but this three being on different stages at the same time was always going to prove problematic. It was a problem I didn’t need to give thought to as trains and planes conspired against me and time was the winner, or lack of it.

Bratakus were the first band I caught. Two piece abrasiveness from Scotland. Some racket for two people, excellent stuff. In evil hour were on in the empress and played to a large crowd. Strong solid rocking punk tunes

Simon Wells and Carol Hodge came over to Ireland last year to play our We Shall Overcome festival and delighted the crowd. They were back today in the acoustic room as simon played tracks from his new album, songs that are usually played with a fuller sound and lots of noise. It’s great to hear them stripped down bare and raw. Heartfelt music that is very special. Simon greeted nearly everyone personally from stage and we welcomed him and Carol from our seats. The set as mixed with some of Carols haunting yet soulful songs which added spice to the mix.

Carol played again later with Slice of Life.

Slice of Life. Rebellion 2017

There are a few people who can do no wrong with the vast majority of the rebellion crowd and Steve ignorant is one of these. Steve will be singing some songs with paranoid visions later in the festival, a selection of songs that influenced so many. For tonight he is living in the now and it’s a good place to be. Steve can’t avoid the fact that he was in one of the most influential punk bands. A band that could easily be described as one that maybe not led a generation but guided a community. It was an accident and he is humbled by it all he wasn’t trying to lead anyone he was just being one of us. And still is.

The pukes were a trimmed down version of their usual selves. 4 ukuleles and some washboard rhythms playing punk classics. They had a huge crowd in the acoustic room singing along and wondering when would they learn. There was something missing from the band on stage and when i did that head count I realised that Lorna was missing. Her infectious enthusiasm is a beacon on stage but the colourful tunes still brought a smile to us all

This was my first time to see Bar stool preachers despite them being perennial visitors. Sing along punk ska anthems that had the crowd singing along and me wondering what the words were so I could join in

Reletics were the only and I saw on the introducing stage. Powerful punky rocky sound. They proudly sang about being an anti fascist band which is worth proclaiming time and again.

MDC are one of those bands that just keep going but in reality it is just singer Dave Dictor. Dave, like many others here this weekend, pretty much acts the same as he did in the late 80’s early 90’s. There’s been hospital visits and scares along the way but he is still screaming, even at the acoustic show tonight. The acoustic shows leave singers with no place to hide and dave coped very well stripped down to a bass and an acoustic and those songs about Reagan and the crazy state of the world growing up in the 80s seems as relevant as ever, maybe more so.

Zillah minx from Rubella ballet is like the offspring of Toyah Wilcox with attitude and politics thrown in. Toyah flew a flag for women in a time when women were solely objectified in music. Rubella Ballet brought colour to an anarchist punk scene full of black with some red for good measure. Both played this evening in the seated arena. Rubella ballet competed with the Puke’s for most colourful band. Maybe an anarcho spizz energy complete with illuminious dancers. I never really listened to Toyah before and couldn’t tonight as there were no seats in the house spare for her performance.

I also never really listened to good riddance. Not sure why but alongside Strike Anywhere they are on my list of “must find out more”. That list is increasing al the time but after tonight’s energetic explosion of hardcore I can strike them off.

Roddy radiation had everyone skanking as if the specials never stopped. Ska and reggae in an original Style. While roddy was skanking tv smith was punking. Tim is in the same mould as Steve ignorant. A legend of a musician and still playing those adverts songs as if it was his first time. Only two words to describe this set. Tv smith. That first album is a classic. I defy you to say otherwise. Tv smith is the boss.

Leftover Crack are in Dublin on Saturday. This may not be a warm up for that show but if it was, then the gypsy rose will he on fire. Hard hitting political us hardcore punk band. They were on top form tonight.

sem futuro showed you don’t have to be North American to have that punky hardcore sound. These Brazilians sure did create a racket, can’t say if the words were politically motivated as my Spanish is pretty nonexistent

Penny wise and bad religion brought the tunes back in. It’s amazing to see Bad Religiin still filling out halls and better again to see over 2,500 people singing along. Flying end to the first day, despite my disappointing start of clashes and ultimately missed sets.

A celebration of DIY -Dublin October 8+9

Hope Collective are proud to be part of the Dublin DIY Festival taking place next month.   Having come together last year for a night of punk rock and hip-hop, The Hope Collective have once more joined forces with State Magazine and are proud to present an all ages day long event in Dublin Workman’s Club, supporting Oxjam Ireland’s work for female rights and the Dublin Simon Community.  This festival falls under the Community Tourism Diaspora Initiative and provides a chance to highlight the great work going on around Dublins Underground music community.

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The previous night Hope are joining with FOAD Musick to announce the launch of Steve Ignorant with Paranoid Visions new album “Now and Then…!” in the Hangar

Profits from this gig will go to Inner City Helping Homelessness 

Saturday October 8 – The Hangar 

Steve Ignorant with Paranoid Visions
plus
the Gakk
Steven VX and the Art Rats

Now and Then…! is the highly anticipated follow up to 2013’s “When…?” album from the collaboration of Dublin art terrorists Paranoid Visions and Crass frontman Steve Ignorant.
Over the past 2 years the band have played major festivals in the UK, Holland, America and Canada and garbered a significant following that surpassed the expectations of the original project. This is the collaborations only Irish appearance.

Sunday October 9 – The Workmans Club

Bill Blood – as part of Flexihead, Jackbeast and Redneck Manifesto, Niall Byrne has graced many DIY stages in the country and beyond. Bill Blood is his latest musical incarnation.

Carol Hodge – described as “Shakespeares Sister fighting Amanda Palmer and Tori Amos in a dimly lit Victorian pub”, Carol is a seven fingered pianist best for her singing work with Steve Ignorant (co-founder of punk legends CRASS) on his Last Supper world tour.

Ed Wenn – first visiting Ireland with the band Sink in 1992, Ed made his name with The Stupids, where his Ed Shred persona blasted out some early UK skatecore riffs. He has also been the main songwriter behind Bad Dress Sense, Big Ray, K-Line and more.

Mhaol – having made their live debut at last year’s WSO, M(h)aol have established themselves as one of the most fiercly political bands in Ireland today, with music to match.

Not Monsters – the meeting of deliciously experimental melodies and in your face power, Not Monsters are firmly in the DIY tradition – springing from a network of shared gigs, spaces and ideas.

Simon Wells – one of the founding members of UK Hardcore legends Snuff, Simon has continued to play and tour throughout the world with Your Mum, Southport and many others.

the objectorZ – sitting somewhere between hard rock n’ roll and punk, the Dublin band flter in a power pop influence.

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What Is We Shall Overcome?

We Shall Overcome is a movement of musicians, artists and community organisers who are angry about the human costs of austerity policies but who want to do something practical to help those affected. For one week from 3-9 October we’re encouraging people to organise gigs and events that will –
1. Get direct help to those in our local communities who have been adversely affected by austerity policies.
2. Raise awareness, show solidarity or apply pressure to those who have political power
We operate under the tagline ‘A RAISED FIST & A HELPING HAND’

Rebellion 2016 – Day 2

 

imageRebellion 2016 – day 2

Dublins I am a car crash provide the starting point today. Atmospheric rhythmic noise rock and sharing a drummer with paranoid visions which gets my head moving along nicely at this lunchtime.

I had to cut them short to go and see slice of life who certainly aren’t atmospheric noise rock. They have piano, acoustic guitar, bass and Steve ignorants voice. This is punk rock to me. Steve was in Crass, is collaborating with paranoid visions but this is a challenge, for those playing and not listening i may add It has a vaudeville feel (be it s punk version) at times with words that asks questions. This is what the crass war was for. The last time I saw slice of life at rebellion it was at the end of a long day for Steve and the beer had probably for the better of him. The crowd were there out of respect as it was a new enough project. We are now here for the bands songs and Steve puts his heart and soul into this performance as he raps along at times. “This world is full of hate but a bit of love is alright”

Wonk unit have their breed of London diy fun punk which is getting bigger by the year. They blasted the large stage of the Tower Arena and had a great community feel from them. Watching Wonk Unit it just seems like they are your mates on stage and at any moment they could either be dancing alongside you or your could be playing alongside them on stage.

Wolf Bites boy had the new band stage staged packed. Three piece punk oi anthems. Temperature in the room was hot, pavilion wasn’t much better with Loaded 44 on stage. Their sound has a rockier rezillos feel to it, guitar solos and all.

One of the (many) things I love about rebellion festival is that the time of day doesn’t seem to matter. Empress ballroom was packed with anticipation for Reagan youth at 3.20 on a Friday afternoon. Let me say it again Reagan youth!!! Blistering set from the U.S. hardcore band. The songs weren’t really written for ballroom arenas but they still pack some power even if therms have only 25% of their original cohort (only guitarist Paul Bakija remains from the original line up)

Back to the literary stage for a bit of Pauline Murray talking about punk scene of the 70s. Fascinating stuff. Interesting take on the music business “every time I get involved in the music business something horrible happens” artists get treated really badly as it is all about profit motive. Bands are having to work harder for themselves which is difficult but that’s where it is.

Alex brindle was on next talking of punk rock today and his time in the flying medallions. It was an interesting juxtaposition comparing old with the current (can’t really call it new). The enthusiasm of Alex in marked contrast to Pauline’s cynicism. Johnny wah wah was the host but preparation seemed to be minimal

The not sensibles single I’m in love with Margaret thatcher will go down in the punk rock annals as on of the snottiness of a generation. Their rnb brand of punk saw the crowds flocking to the opera house. Vice squad were on in the outdoor setting of the Tower Street Arena at a similar time. Still sounding as good as ever these could well be the last rockers of rebellion as they blasted their tunes with the blackpool tower standing strong in the background.

imageSpeaking of the Tower, I managed to get my hans on a copy of Blackpool Rox 2, complete with cover of the Tower falling into the sea. Interviews with Simon Wells, Ted Diabase, Poly-Esters and Cock sparrer made for great bedtime reading.

The a heads bring it back into more basic punk rock mode. They first appeared on the Wessex 7″ on Bluurg records in 198, alongside Subhumans and it is to see them still screaming for change.

Attila the stockbroker has been demanding change since Joe strummer inspired him to pick up a ukulele 35 years ago. His audience treated him like punk royalty tonight. Technical problems meant it was back to the original rapping poet tonight, no music just one man and his angry words, and some pieces from his excellent Autobiagraphy.

This rebellion introducing stage is great. The x ray eyes were completely new to me. Not quite of the standard of youth man last night (that bar is very high) but this was a set full of energy in a garage pop punk kind of way. Another album I look forward to giving plenty of time to.

Penetration took on a different meaning for me after listening Pauline Murray earlier. They had some great songs on that first album and well worth hearing once more. Now that they are back playing they have a new record out with solid songs and a sound that carries through. Not the energy and excitement of x Ray eyes but still good to listen to.

I’d been told a few times to catch the dictators so it was for other people that I went to see them. Rightly labelled as the “corrective tissue between stooges, mc5 and the punk scene” dictators still have a lot of hair on show. More rock than punk but songs that resonate around the vast expanse of the empress ballroom.

Brix Smith spoke on the literary stage and told us how she changed her name from laura to brix after the clash track Guns of Brixton. Brix liked to speak so I’m sure that made it easier for the conversation with john Robb to flow. And flow it did. Brix read out a chapter from her book, her take on her arrival into manchester. It was some culture shock for the u.s reared woman. With a kitchen the size of her freezer at home in Chicago.

As I was comfy i stayed to hear johns in conversation with Peter Hook. There was a great moment when Peter hook came on stage and took a picture with Brix. The crowd were ignored for a few minutes as what seemed like two old friends catching up. There’s a book coming out on new order that Peter hook has written, all 700+ pages. Sounds like it could be a new order encyclopaedia. Peter tells us about joy division being formed as they were walking out of the pistols first gig in Manchester and how he still can’t play bass. It was the attitude of the pistols that changed these Manchester lads, “knowing that anyone can get up and stage and play a gig. You didn’t care what anyone thought, you just believed and went up there and did it ”

imageA quick run into the acoustic room then for Swill from the men they couldn’t hang. This is a perfect surroundings for swill. Accompanied by an acoustic guitar and a companion on stage this was country shining through but sing along and inclusive. I feel at home in this room, my reclusive self can smile as there’s a sing song going on

Seeing swill meant that I missed the start of paranoid visions but when I got to the pavilion it was on fire. Perfect surrounding and a great set from my home town boys. The visions are very much part of rebellion, like tv smith but a outburst of energy like a zit being forced off your face. They have a menacing almost haunting feel. The sound has opened out and the killing joke influence seems stronger than ever. Of course for any band that has been playing on and off for thirty years you can’t really take the lazy option and state their influences. They are the influencers now. Paranoid Visions want to challenge you, I’m reminded of the first time I saw them. I was terrified and completely captivated. The fear has now gone as I’ve gotten to know them but the captivation still holds true

imageAs my formative years in the 1980s were spent listening to punk rock, you could call it an education of sorts. The Newtown neurotics were a semester (we call them terms back home) the neurotics and Attila were going to travel to Dublin but then realised the ferry cost was too prohibitive. We nearly had them but had to make do with listening to the brilliant live album instead. Miscalculations on time meant I missed the q*a with Steve Drewetr earlier. A shame to miss it as his band were very important. Now I’ve seen him live a couple of times. I came to rebellion specifically to see the neurotics a few years back (after travelling to Harlow to see them too) so I’m completely biased. Steve is getting more acclimatised to acoustic gigs and has his daughter back up on stage with him but the damn treble is still turned up in the guitar. We sang along to Kick Out The Tories and wondered if the new empowered Labour Party will make the breakthrough they are promising to and what i can achieve.

While the neurotics had a whole semester I most definitely took a few classes on the men they couldn’t hang. They toured ireland and we went to see their folk punk rebel songs songs a few times. It seemed fresher at the time than many of the oi bands that I was listening to. Intelligent lyrics doesn’t just have to come from the spiky or skinhead punks, it’s all about the spirit and the men they couldn’t hangs set was definitely full of punk spirit without a spike to be seen anywhere. As I stood here beside Atilla the stockbroker watching him mouth every word as swill spoke about hanging around afterwards to talk to everyone I’m reminded why I’m indeed part of this community. We are all equals and we are mainly in it for the right reasons. Sentiment along these lines was stated when shirt of blue was dedicated to all those fighting for union or human rights throughout the world. The battle continues

niallhope

Before the men I listened to Dick Manitoba’s talk about the New York scene and his time with the dictators whose album was released a year before the ramones debut. Of course this being rebellion dick had to be asked about the bar he runs in New York, his own place. He has photos all over the walls of New York and uk punk. Sounds like aa aesthetically pleasing place. There was confusion over his next steps when Richie asked about an upcoming book. Turns out it’s a comic book!! Might be a book on the way of money can be got.

I was hanging on for dear life at this stage but was determined to see Naked Aggression. The men they couldn’t hang express their anger through folk music but naked aggression use it through all their power and force with electric guitars. In the smaller arena the songs still sound a s aggressive and relevant as ever. I wonder if Reagan youth had of played in a smaller room on a smaller stage would it have been different. Naked aggression songs Janet lost their anger. Full on assault, just what’ you need at the end of a long day. I2 hours after the first band of the day I didn’t have the stamina for dublins lee Harvey’s. Next time

Slice Of Life – Love and a Lampost

Slice of Life
Love and a Lampost
Overground Records
slice of life

Steve Ignorant finally gets to sing, under the studio microscope. I’ve listened to him in various formats over the years, Crass and Schwarzennegar being the main two. Steve’s vocals have always been covered by the racous noise of Crass or the electric sound of Schwarzennegar. It is now stripped bare with acoustic accompaniment.

I have seen Slice of life live a couple of times and Steves anger and passion is to the fore (and sometimes an alcohol abetted voice and attitude), however there’s nothing to hide behind here. No Deko to counteract or PA’s guitar cutting in like when he did the album with Paranoid Visions.

And it is still spoken in many parts, prose poetry and art. There’s piano, acoustic guitar, upright bass and even a trumpet.

History has put many people up on pedestals, usually with an alternative version ready to knock them down again. Since the dawn of time many garden paths have been well worn with peoples footsteps being brought up them, and left. Abandoned. Thinking, “we were nearly there”, wondering “If only”. Music and culture changed the lives of many of those troubadors. We are the vegans, vegetarians and souls that were changed. Meat Is Murder, Coal Not Dole, Red Wedge or There is No Authority But Yourself are all clarion calls from the 70’s/80’s. It is a period in history that may be remembered for revolutionary statements on vinyl. Today our cassettes are on mp3, our fanzines digitised by blogs and some people on the edges are running ethical businesses.

Many of the venues that remain open are still driven by profit and alcohol, many of the promoters are using music as a means to pay their bills and few paths are being laid. We looked to bands like Crass and Fugazi to bring us on a different route which some of us took. Slice of Life have taken that musical route. The message is strong and the sound is pleasant. Ideally this band wouldn’t be looking to the mainstream venues and we would have an alternative built over the past 30 years. That doesn’t exist as we co-exist with those we rally against.

If only eh?

Time has moved on and it is good to hear Slice of Life bringing a sound forward. Long may that wheel move forward, open your mind and give this a chance punk.

niallhope

slice of life1

Rebellion 2014 Day 4

Rebellion 2014 day 4

Steve Ignorant

It’s always good to talk and listen so Ian glasper told us his story around his punk books. Great to hear the tales behind the book and its reason for existence

joey shithead is with terry chimes and Patrik Fitzgerald so missed his interview but I got to see 16 guns blast out their punk rock. Not sure of their history but they had a good crowd in the arena

One of the few bands I have watched a full set by is epic problem. The light show nearly prevented it as flashing lights on a Sunday afternoon don’t do a lot for me. Epic problem are worth it. Leather face with a street punk sound. Frenetic tunes from the north east of England. It made me think of all those good new bands like bear trade, Stay clean jolene, dauntless elite and holiday who are missing from the festival

Maid of ace are 4 women blasting out a rocky punk sound and a full on sound it is too.

The literary sage saw Seggs and ruffy from the ruts talking about everything they do is a tribute to malcom and foxey. They had to make light if the tragedy that befell the band but it is a story that needs to be documented

Garry bushell has a lot to say but needed better questions

It’s amazing how the ageing process takes us. Every day we change ever so slightly. I ventured into the empress ballroom and had a double take when I saw snfu on stage. La hardcore legends with that tuneful speed sound, visions of young skateboarders come to my mind when I think of snfu it’s all grey beards and long hair now, exactly how I would look if i grew my locks but to see it on a big stage, kind of like wizard

I love my Hagar the womb records. Played them to death as a kid. Its great to see them on stage having a ball and sounding as good as ever

Rhoda Dakar was in the body snatchers and did some guest vocals with the specials. She was a punk in 77 but you wouldn’t know by listening to back to the stage. 12 bar blues riffs, thankfully I didn’t need to stay

Old form casuals are just that, new signing for the day on drums. Popular street punk from Boston, not England but USA. They must get prize for biggest crew in the side of the stage tooy6

Walking into captain hot knives I’m the pavilion was like staking across a secret party. A packed room for one man and his guitar playing quirky songs about safety or whatever (usually drug related) Like a comedic Patrik Fitzgerald

Joey shithead from doa was backed up with 2 fellow band members. Stripped down doa songs still had the melodies and suited the ambience

A quick run to the pavilion then for the defects from Belfast. Every yearn I do this thing in my mind to see who has the most popular t-shirt the defects are up there this time. Their songs are about life growing up in Belfast during a warzome which most of snob the west will never comprehend. Strong Belfast punk

Sandwiched between 2 Belfast bands was Steve ignorant. He had already done a set with paranoid visions but his slice of life stuff is far more interesting to me It’s a step away from crass and is just are with some guitar, double bass and keyboards. Still singing about relevant topics but taking it to a different dimension. I only wish he would play non mainstream venues all the time. That would make it so more relevant. Unfortunately it had been a long day for Steve and we didn’t catch him on one of his great nights. Great songs though

I’ve been really looking forward to Louise distras all weekend. A young tv smith with a great sound and songs that mean something. all acoustic bar some rants. Good enough for the first encore of the four days. New album out too

I didn’t catch doa electric as something had to give but caught some of original sex pistol glen Matlock with his philistines. It was said earlier this week that the pistols lost it as a band when glen Matlock left. He was the musician to sids comedian and he can sure play. Their set is a mx of original and covers with a rockabilly slant

Nofx played Dublin in 1990. We put them on twice and I always enjoyed their sets. I was unsure of their onstage antics and nothing has changed. Plenty of banter, lots of innuendo but the music is catchy and fast as hell

It is totally apt that the last band for me to see is ruts dc, mixing absolute classic ruts songs with their dub inspired sound. It is often said that we renewed our more recent memories best well thankfully this was a send off rebellion deserved. Poignant in the ruts dc remembering rebellion friend sharkey who passed away earlier this year. As I left the pavilion the empty spaces were the stalls were heaving over the past four days greeted me. It was a poignant moment, rebellion i will be back next year, if only our dear departed could be with us

niallhope