It was during my Christmas break in 2015 that I set myself a challenge – Read 52 Books in a year. 1 a week – should be easy?
It all started with Steven Gerrard – a christmas present
The road to wigan pier followed closely. George Orwells tale of how we can show a brighter future
As it was the centenary of 1916 Easter Rising there were plenty of books relating to that theme
Jimmy Wren’s The GPO Garrisson was one such story of all the people in the GPO that week
Kieran Glennon’s From Pogrom TO Civil War took in a slightly later time in Irelands Nationalist history
Roger Casement is not only a figure in Irish Nationalist History, prior to (and during)his involvement in Ireland culminating in his trial where he stated “Ireland has wronged no man, that has injured no land, that has sought no dominion over others – Ireland is treated today among the nations of the world as if she was a convicted criminal” he was a British Foreign diplomat. His most notable work was exposing the slave trade in Congo and the horrendous slaughter of Peruvian Indians. The Devil and Misteer casement tells the story of Peru whole King Leopolds Ghost spoke of Congo
Russian troubadors Pussy Riot have had a lot written about them Words Will Break Cement is one of those
Kim Gordon has spoken a lot about how Pussy Riot are strong Women in a band and her Girl In A Band book tells of her time in Sonic Youth and beyond
Chasing The Scream challenged my perception on the so-called War On Drugs and has really made me think about its relevance
As part of the challenge I asked my kids what book they would like me to read – Pele was my youngest ones choice. A strange book about a character who exists in a world of stardom and almost seems like an alter ego of Edson Arantes do Nascimento. Luca Caioli asked is Messi More Than A Superstar and the answer is very much yes in his mind, interesting that humility is his biggest trait after being a superstar ball player
During Easter Week I decided to take a 360 turn and see how many Ross O’Carroll Kelly books I could cram in this year. Ross is the obnoxious, sexist beast known to so many Dubliners. The teenage Dirt-Bag years is one of the early ones, his formative college years, a J1 American Visa and the theft of a statue from UCD all get the O’Carroll gloss.
One of the hardest books to read was The Wrath of Cochise, not for the level of detail of the blood feud between the Chiracuau Indians and the US Army but just the level of detail. Terry Mort has a way with words, and it’s a long way. It was enlightening to read about the ‘White men’ being willing to loose lives in wars and use that as a tactic or about the Irish Bounty hunter James Kirker. it is interesting that this small island has produced many people who travelled for different reasons and had an impact around the world. Kirker was a hugely successful bounty hunter, willing to work, and kill, for the highest bidder. There were many Irish recruits into the US Army in the 1850’s – over 30% of those enlisted were Irish hunger having forced them from their homes. Then there were those being sold into slavery, a tale of woe that still continues.
I re-introduced myself to the world of pop punk and Lookout records through Larry Livermores two book and the story of Lookout. Interesting that a label with no initial aspirations other than to release records and get bands heard ended up as a multi million dollar business and the tale of how those millions made people want more. Another label I re-introduced my self to was K Records. Love Rock Revolution, the story of K was published a few years ago but I missed out on it then. It tells the story of Calvin Johnson and K, much like Lookout, a label that saw huge increases in sales when Nirvana got signed but thankfully unlike lookout K is still going. Sarah records was another label I listened to many bands from and Pop Kiss tells its story with a glorious jangle.
The Lost Women Of Rock Music – Female Musicians of the punk era by Helen Reddington is still altogether too true as it tells the battle females have just to be recognised in rock.. Punk promised to breakthrough as more and more females joined bands but the establishment re-established its hold and MTV had a different story to tell. It drove it underground
NOFX were a band whose antics when they were in ireland I had blocked out of memory. I knew there was a story around a fireplace and an inscription but the tides of time held no grudges. it was sad to read stories of how fireplaces in other cities, belonging to other peoples parents, were treated with similar disdain. Like spoilt children the drug fuelled lifestyle of nofx left casualties in their wake. We had to run other gigs after they left town, we had to mend a lot of bridges. This book is not surprising in its tome. Pity I like their music so much.
Jack Doyle’s autobiography slowed me down and made me realise I wouldn’t meet my target. Instead of 1 book a week I went for one a fortnight. It halved the overall number but still was hopeful and realistic.
This was bropught to fruitiion with somw time over Christmas allowing me to complete my final two. How Champions Thnk gives some snippets into the mind of sucessful people and it finashed in style with the Aesthetic of Our Anger – a critique of anarcho punk, politics and music. Although this book is aimed more at an academic audience it is an excellent reflection on the influence of Crass throughout popular culture.
So next year I will try and better this, wish me luck
This years List
1. King Leopolds Ghost
2. The Devil and Me
3. Steve Gerard – My Story
4. Jimmy Wren – The Gpo Garrisson
5. Kieran Glennon – From Pogrom to Civil War
6. Paul Howard – Ross O Carroll Kelly, the teenage Dirtbag years
7. George Orwell – The Road to wigan pier
8. Johan Hari – Chasing the scream
9. Pele – the autobiography
10. Kim Gordon – Girl In A Band
11. Masha Gessen – Words Will Break Cement
12. The Wrath of Cochise – The Blood Feud That Sparked the Apache Wars
13. Larry Livermore – Spy Rock Memories
14. Larry Livermore – How to Ru(i)n a record label
15. Jeff Alullis – NOFX The Hepatitis Bathtub and other Stories
16. Kevin Prested – Punk USA – The Rise and Fall of Lookout Records –
17. Mark Baumgarten – Love Rock Revolution – The Story of K Records
18. Luca Caioli – Messi: More Than a Superstar
19. Michael White – Pop Kiss – the life and afterlife of sarah records
20 Helen Reddington – The lost Women of Rock Musc
21.Dave Dictor – MDC
22. The Defects – Nervous Breakdown
23 Michael Taub -Jack Doyle The gorgeous God
24 Adrian Chiles – We Don’t Know What We’re Doing
25 William Macaskill -Doing Good Better
26 Bob Rotella – How Champions Think
27 Mike dines and Matthew Worley – The Aesthetic of our anger
When seeing images from war torn Syria or hearing stories of a people ravaged by war we were moved to try and dom something so we reached out to the music community. I put some of these into Hope *2 fanzine earlier this year but we thought it’d be nice to chronicle the Irish submissions, a secret history of the musicians influencing the bands that influenced us
FROM THE IRISH RED CROSS
5 years on and the plight of Syrians continues. The figures make for shocking reading. In a country with an estimated population of 22.2 million the situation is worsening almost on a daily basis. The number of people in need has increased from 1 million in 2012 to 13.5 million in 2016.
For those that can remain in Syria, regular access to basic needs such as food, water and medical assistance continues to be a challenge. Three in four are currently living in poverty and 5.7 million people are in need of adequate shelter.
Whole neighbourhoods have been destroyed, forcing families to flee in search of safe shelter, but there is little available. When they left their homes, many did so with only the clothes they were wearing. They have nothing else. More than half of those affected are children.
People continue to flee fighting within Syria underlining yet again the dire situation families in Syria are facing. It is vital that they are able to seek protection and support as conflict continues to rage. There are an estimated 6.6 million internally displaced inside the country.
Others are unable to flee and remain under siege as war rages around them. At the start of this year the Red Cross Red Crescent eventually gained access to towns such as Madaya, Foua and Kefraya. The blockade on life saving supplies lasted for months with ordinary Syrian families paying the price.
On entering Madaya our colleague Marianne Gasser, described the situation:
”I was taken to what was euphemistically called the “health centre”. It was, in fact, one room in the basement of a house. Ushered into the semi-darkness, I was met by the sight of limp bodies lying on blue blankets on the floor: elderly people, weak from hunger and illness. There were several children, hollow-faced. I noticed the needle marks on their arms where drips had been administered to try to give them the sustenance they needed to survive.”
The Red Cross Red Crescent is committed to bringing aid to the millions of people affected by this crisis inside Syria. In addition, we are reaching the millions who have fled over the country’s border into the wider region and now wait in refugee camps, uncertain of what their future holds.
List of Acts
1 TED CARROLL (promoter, manager, record shop owner and owner of Chiswick Records)
ROCK AND ROLL IN IRELAND AND BEYOND
2 JOE WEADICK (Red Seven/Columbia Showband)
RED SEVEN, LONDON, 1963
3 MARCUS CONNAUGHTON (broadcaster, author)
FLEETWOOD MAC, DUBLIN, 1969
4 BRIAN O’KEALLAIGH (The Gorehounds)
GOOSE LAKE INTERNATIONAL MUSIC FESTIVAL, MICHIGAN, 1970
5 FERDIA MACANNA (Rocky de Valera, The Rhythm Kings, author)
THIN LIZZY, DUBLIN, 1971
6 GERRY MCAVOY (Rory Gallagher band, author)
RORY GALLAGHER, BELFAST, 1971
7 JOHN MCKENNA (broadcaster)
LEONARD COHEN, DUBLIN, 1972
8 PETE HOLIDAI (The Radiators, Trouble Pilgrims)
ALICE COOPER/ROXY MUSIC, LONDON, 1972
9 CIARAN MCLAUGHLIN (The Undertones, That Petrol Emotion, Everlasting Yeah)
PLANXTY, DERRY, 1973
10 NEIL MCCORMICK (author, journalist, musician)
U2, DUBLIN, 1976
11 DAVE SWEENEY (the Max Quad Band, Rocky de Valera and the Gravediggers, the Fat Lady Sings)
DR FEELGOOD, DUBLIN, 1976
12 TONY CLAYTON-LEA (author, journalist, DJ)
IGGY POP, 1977
13 DAMIAN O’NEILL (The Undertones, That Petrol Emotion, Everlasting Yeah)
SIOUXSIE & THE BANSHEES/THE HEARTBREAKERS, MANCHESTER, 1977
14 JUDE CARR (Heat fanzine)
THE RADIATORS FROM SPACE, DUBLIN, 1977
15 AIDAN O’ROURKE (The Sinners)
THE CLASH, DUBLIN, 1977
16 JAKE REILLY (The Blades)
THE CLASH, DUBLIN, 1977
17 JOHN FISHER (The Dandelion Market)
THE CLASH, DUBLIN, 1977
18 ELVERA BUTLER (promoter, head of Reekus Records)
FROM THE WHO TO THE STRANGLERS
19 BRIAN SEALES (DC Nien, Tokyo Olympics)
THE STRANGLERS, DUBLIN, 1978
20 BARRY COOKE (Dead Fridge in the Road)
STIFF LITTLE FINGERS, DUBLIN, 1978
21 PAUL CHARLES (booking agent, author)
SIGNING THE UNDERTONES, BELFAST, 1978
22 GERRY SMYTH (author)
THE BOOMTOWN RATS, 1978
23 PAT O’DONNELL (The Fountainhead, producer)
IAN DURY, DUBLIN, 1978
24 RAYMOND GORMAN (That Petrol Emotion, Everlasting Yeah)
DEXY’S MIDNIGHT RUNNERS, COLERAINE, 1979
25 DAVID LINEHAN (Aidan Walsh and the Screaming Eagles, Hooligan)
R0CKY DE VALERA, DUBLIN, 1979 + OTHERS
26 RORY STOKES (The Sussed, the Spiders From Kimmage)
U2/THE SUSSED, DUBLIN, 1979
27 FRANK RYNNE (Those Handsome Devils, the Babysnakes)
THE RAMONES, DUBLIN, 1980
28 BILLY MCGRATH (UCD Ents Officer 1975-1976, manager of The Atrix and Stagalee,
TV producer, documentary maker)
U2, LONDON, 1980
29 SÉAN O’CONNOR (The Lookalikes)
THIN LIZZY/THE LOOKALIKES, DUBLIN, 1980
30 PETER DEVLIN (The Devlins, producer, broadcaster)
THE SPECIALS/THE BEAT, THE STARDUST, DUBLIN, 1981
31 PAUL BYRNE (In Tua Nua, producer)
ECHO AND THE BUNNYMEN, DUBLIN, 1981
32 ANDREW BASS (Reveille, producer, studio owner)
U2/REVEILLE, GALWAY, 1981.
33 CÁIT O’RIORDAN (The Pogues, Radiators, PreNup)
U2, LONDON, 1981
34 STANO (artist, musician, composer)
TOM WAITS, DUBLIN, 1981
35 CATHAL O’REILLY (The Shade, Luggage)
KID CREOLE AND THE COCONUTS, DUBLIN, 1981
36 DEKLAN DACHAU (Paranoid Visions)
THEATRE OF HATE, DUBLIN, 1981
37 CION O’CALLAGHAN (freelance Drummer – Paddy Casey, Shane McGowan)
ROCKY DE VALERA, DUBLIN, 1982
38 COLM O’DWYER (TCD Ents Officer 1991-1992)
39 PETER JONES (Paranoid Visions)
POISON GIRLS, DUBLIN, 1983
40 DARAGH MCCARTHY (musician, filmmaker: The Stars are Underground)
VIRGIN PRUNES, DUBLIN, 1983
41 WILL WALSH (The Pleasure Cell, The John Wayne Memorial Dancing Lizardmen)
THE SMITHS, 1983
42 ROY WALLACE (Toxic Waste, documentary maker)
TOXIC WASTE, BREMEN, 1984
43 PAT CLAFFERTY (Mexican Pets)
THE CLASH, DUBLIN, 1984
44 KIERAN GLENNON (DJ Dr Night Dub)
THE JOHN WAYNE MEMORIAL LIZARDMEN, DUBLIN, 1985
45 HUGO FITZGERALD (Kill Devil Hill)
THE MEMBRANES/THE PLEASURE CELL/KILL DEVIL HILL, DUBLIN, 1985
46 COLM WALSH (manager Intoxicating Rhythm Section, Sultans of Ping)
THE GOLDEN HORDE/THE GOREHOUNDS/BONESHAKERS/PARANOID VISIONS,
47 PAUL PAGE (The Whipping Boy)
ECHO AND THE BUNNYMEN, DUBLIN, 1985
48 MICK HEANEY (journalist, DJ)
THE CRAMPS, BOSTON, 1986
49 GARETH MURPHY (author, Cowboys and Indies)
U2, LONDON, 1987
50 REG GORDON (photographer, The Hope Collective)
SO MANY SUNDAYS, DUBLIN, LATE 80’S EARLY 90’S
51 JIM DAVIS (TCD Ents Officer 1990-1991),
PHIL CHEVRON, DUBLIN, 1990
52 PHILIP O’CONNOR (author, journalist, musician, The Banished),
FUGAZI / THERAPY?, DUBLIN, 1990
53 DAVE O’GRADY (promoter, publicist, Gilded ALM),
THERAPY?, DUBLIN, EARLY 90’S
54 SMILEY BOLGER (DJ, promoter Morans, McGonagles, the New Inn)
THAT PETROL EMOTION, DUBLIN, 1990
55 NEIL DOWLING (promoter, Event Ease)
STONES ROSES, BELFAST, 1990/BOLT THROWER, DUBLIN, 1990
56 EDWINA FORKIN (film producer, TCD Ents Officer 1989-1990)
SONIC YOUTH/NIRVANA 1991
57 JILL FORTYCOATS (Mexican Pets)
THE EX/DOG FACED HERMANS, DUBLIN, 1991
58 FINBAR MCLOUGHLIN (Gearhead Nation)
THE EX/DOG FACED HERMANS, DUBLIN, 1991
59 CANICE KENEALY, (Engine Alley)
PRIMAL SCREAM, DUBLIN, 1992
60 SEAN CAMPBELL, (author)
U2, KANSAS CITY, 1992
61 KEVIN MARTIN (promoter, fanzine editor)
MOBY/ORBITAL/APHEX TWIN, CHICAGO 1993
62 JOHNNY BOYLE (Lir, Pugwash, Picturehouse, Marianne Faithfull, The Frames)
RAGE AGAINST THE MACHINE, DUBLIN, 1993
63 BARRY MCCORMACK (Jubilee All-Stars, solo artist)
SWERVEDRIVER, DUBLIN, 1993
64 PHIL UDELL (journalist, State ie, Word-Up Collective)
BACK TO THE PLANET, DUBLIN, 1993
65 EILEEN HOGAN (author, lecturer)
THERAPY?, LIMERICK, 1994
66 PETESY BURNS (Toxic Waste, FUAL, The Outcasts, member of Warzone Collective)
VICTIMS FAMILY/GROTUS, DUBLIN, 1994
67 TOM POLLARD (The Pyrex Babies)
ROLLINS BAND, DUBLIN, 1994
68 KIERAN KENNEDY (The Black Velvet Band)
THE BLACK VELVET BAND, SWITZERLAND, 1994
69 MICHELLE MCCARTHY (marketing manager, Madison Square Garden)
GARTH BROOKS, DUBLIN, 1995
70 WAYNE P SHEEHY (producer/studio owner, drummer with Ron Wood)
RON WOOD, TORONTO, 1990s
71 PAUL McDERMOTT (DJ, zine editor, lecturer)
CATHAL COUGHLAN & NINE WASSIES FROM BAINNE, CORK, 1997
72 IAN PEARCE (Split Red/Los Cabras/The Dangerfields/Comply Or Die)
ABHINANDA, BELFAST, 1998
73 EMM GRYNER (David Bowie/The Cardigans/The Cake Sale/solo artist)
DAVID BOWIE, DUBLIN, 1999
74 COLM O’CALLAGHAN (journalist, broadcaster)
ELVIS COSTELLO, DUBLIN, 1999
75 FRANCES ROE (Jam Jar Jail)
ROCKET FROM THE CRYPT, DUBLIN, 2001
76 EMMET GREENE (Bandicoot Promotions),
BOBBY CONN, CORK, 2002
77 KIERAN CUNNINGHAM (sports editor, The Star)
CATHAL COUGHLAN, CORK, 2005
78 ROISIN NIC GHEARAILT (M(h)aol)
FLAMING LIPS, 2005/DEADMAUS, 2009
79 EOIN DEVEREUX (author, lecturer)
MORRISSEY, OSTIA, 2006
80 JIM ROGERS (author, lecturer)
CHRISTY MOORE, DUBLIN, 2007
81 CONSTANCE KEANE (M(h)aol)
INCUBUS, DUBLIN, 2007
82 THE LATE DAVID TURPIN (artist)
LAURIE ANDERSON OLYMPIA THEATRE, 2007)
83 PETE MURPHY (publicist)
TOM WAITS, DUBLIN, 2008
84 DES O’BYRNE (The Golden Horde, NYC DJ),
GÉTATCHÈW MÈKURYA AND THE EX, NEW YORK, 2008
85 VONA GROARKE (author, Spindrift),
RICHARD HAWLEY, DERBYSHIRE, 2009
86 ROB FLYNN (The Winter Passing),
HAVE HEART, DUBLIN, 2009
87 ROBBIE ROBINSON (film director, An Irish Exorcism and member of the
Intoxicating Rhythm Section Captain Tripps),
KINGS X, LONDON, 2009
88 AIDAN WALSH (musician, rehearsal room proprietor)
AIDAN WALSH AND THE SCREAMING EAGLES, DUBLIN, 2010
89 DAVE LONG (Into Paradise),
THERAPY?, DUBLIN, 2010
90 BRIAN CROSBY (musician, Bell X1, The Cake Sale, producer)
SUFJAN STEVENS, BERLIN, 2011
91 ELLIE & LOUISE MACNAMARA (Heathers)
THE MOUNTAIN GOATS, BLOOMINGTON, IN., 2011
92 MICHELLE DOYLE (Sissy)
THE RAINCOATS, SEATTLE, 2012
93 JUSTIN MCDAID (freelance journalist, Golden Plec)
ENABLERS, DUBLIN, 2013
94 JIM CARROLL (journalist, broadcaster)
THE GLOAMING 2014
95 COLIN COULTER (author, co-editor Ireland Under Austerity)
96 SUZANNE RHATIGAN (singer, promoter)
GRACE JONES, COUNTY LAOIS, 2015
97 HENRY CLUNEY (Stiff Little Fingers, X-SLF)
SOLO, BLACKPOOL, 2015
98 JOHN O’FLYNN (author)
MAPPING POPULAR MUSIC, DUBLIN, 2015
99 CLODAGH SPUD (fanzine editor)
RUDE PRIDE/THE SULTANS/TAKERS AND USERS/THE DIVILS
100 PAUL PURCELL (DJ, founder of Glacial Sounds record label),
SWING TING, MANCHESTER, 2015
101 MICHAEL McCAUGHAN (TCD Ents Officer 1984-1985, author; The Price of Our Souls: Gas, Shell & Ireland),
JELLO BIAFRA, DUBLIN, 2015
102 GARRY O’NEILL (cultural historian, author)
103 TERRY O’NEILL (manager of Thin Lizzy and others, promoter and publicist)
104 ANTO DILLON (editor, Loserdom fanzine)
105 JAMES HENDICOOT (freelance journalist, NME, Dublin Gazette)
TALKING WITH THE DROPKICK MURPHYS, 2013
The book was compiled, funded and published by two veterans of the Dublin DIY (do-it-yourself) music scene, Niall McGuirk and Michael Murphy.
They came up with a simple idea to raise funds for the Irish Red Cross Syria Appeal. Ask people in Ireland’s music community to write about their favourite gigs.
People love talking about gigs. People love hearing about great gigs.
So they asked some of their favourite musicians, writers and behind-the-scenes characters to remember some outstanding gigs. Then they asked friends of friends who asked friends of friends.
This book is a compilation of over one hundred of the best of those gig memories. It includes recollections of gigs that were legendary and influential (Fleetwood, the Clash, Leonard Cohen, the Smiths), as well as gigs that were quickly forgotten. From immaculately presented stadium gigs to ramshackle events in sketchy halls; from showbands to punk, death metal and dance it documents some of the inspiring, brilliant and bizarre events witnessed by Ireland’s music community far and wide.
Quotes from Niall and Michael:
It is a brilliant book. We are proud of it. Look at the brilliant writing. These people weren’t just members of Ireland’s music community, they weren’t just witnesses to spectacular, sometimes life-changing, gigs: they are also outstanding writers.
We thought that it was particularly important to include some of the ‘forgotten heroes’ of the Irish music community. To hear the voices of the people who were ‘there’ who were a major part of the scene but are never included in the history.
It’s been over 12 months in the making but we have finally released In Concert, Favourite Gigs of Ireland’s Music Community.
When we first saw the heartbreaking pictures from Aleppo we reached out to those people we know best, our friends in the music community. Six months ago Hope *2 came out and this featured those in the punk community in an effort to raise money for pikpa lesvos centre. We held back on many contributions from the Irish music scene as we felt it would be nice for this group to extend their support. The results are In Concert and whilst there are many more who could and deserve to be included we feel this can help form part of a ‘secret history’ of the irish music scene. People like Ted Carroll who founded Chiswick Records, Pete Holidai from Radiators, Cáit O’Riordan from the Pogues, Pat Clafferty of Mexican Pets, Deko Dachau from Paranoid Visions to more recent luminaries like Constance Keane from M(h)aol or Rob Flynn from Winter Passing. 105 contributors altogether speaking of showbands, leonard cohen, the clash, theatre of hate, golden horde, therapy? and so many more including U2.
The book is a benefit for Irish Red Cross specifically in their efforts to assist people forced to flee their homes in Syria
Joe Solo has done it again. One of the main agitators behind the we shall overcome movement Joe has got together with the Hatfield Brigade
‘Merry Christmas From Hatfield Main’ by Joe Solo & The Hatfield Brigade was recorded on location at Central Club in Stainforth on October 30th 2016 as miners and their families from up and down the UK gathered to join a choir like no other in the spirit of community and solidarity.
The single is available to download from all major outlets from Monday November 28th and all funds raised will go to those struggling to make ends meet in Food Bank Britain.
There is a VERY limited number of CD copies available which are simply a printed disc in a clear plastic sleeve with just the one song on. Only 200 copies were made and promos have been taken from this, so this is a very rare little piece of history.
The winter passing + Life Goals + Me and My Dog + Nibiru + The Winter Passing
Back to that feeling of solitude once more. I had a backpack full of fliers and posters but couldn’t muster the enthusiasm or courage to pass them round. I’m in that rut and many sure if I can move on, my feeling these days is to leave it to someone who doesn’t have grey hair. Am I wrong?
First band up tonight were life goals from Belfast. They reminded me of drive when they played with mega city four in 1988, here we go again the age thing :). There’s a smattering of pixies into the melodic pop punk songs. They keep under the city centre speed limit but pack a good punch with those songs.
The songs in between certainly left a lot to be desired. The wrong sort of pop entirely but the venue is a strange abode. You walk in to a bar and some seats but through the double doors literally is a small hangar. Feels like a small car park but with low roof tonight it does have excellent sound.
Mayos Me and my dog were up next. The day before the all ireland final replay between me an my dogs home county and the county hosting this gig and not one mention of football!. My guess is it doesn’t fly high on me and my dogs radar. Lo-fi slacker rock is what they were billed as and that’s is as accurate as can be. 2 guitars, bass and drums. The 2nd guitar acting as lead bringing it from the lofi level. I had a vegan burrito in toltecca before the gig. It had soya mince, tons of topping and sauces but wasn’t quite the burrito I was hoping for. I wanted it to blow my mind but instead it was a good memory. Something like me and my dog, maybe if they only had one guitar. Sometimes the best bands only use the one.
Niburu come on to dry ice. This all male band from Dublin have a sound as heavy as that dry ice as we novel slowly through the set. Sure it gets my head bopping but sound garden or rage against the machine do the same and I never go out of my way to listen to them. It’s all too male of you get my drift
I’m here tonight to see the winter passing. Their record is one of the best Irish releases in the past decade. Full of tunes and hooks and intensity. I admire them for their attitude and energy. Always positive, this was their last gig before heading stateside to do some recording and gigs. How often can we say that of an independent band from ireland. Time got the better of them on the night as the hangar needed to return to its natural night club haunt, lights wer switched on, winter passing got to screech out more song of their set of 5, but it was enough for us all o wish the band the very best in their travels
Hope Collective are proud to be part of the Dublin DIY Festival taking place next month. Having come together last year for a night of punk rock and hip-hop, The Hope Collective have once more joined forces with State Magazine and are proud to present an all ages day long event in Dublin Workman’s Club, supporting Oxjam Ireland’s work for female rights and the Dublin Simon Community. This festival falls under the Community Tourism Diaspora Initiative and provides a chance to highlight the great work going on around Dublins Underground music community.
The previous night Hope are joining with FOAD Musick to announce the launch of Steve Ignorant with Paranoid Visions new album “Now and Then…!” in the Hangar
Profits from this gig will go to Inner City Helping Homelessness
Saturday October 8 – The Hangar
Steve Ignorant with Paranoid Visions
Steven VX and the Art Rats
Now and Then…! is the highly anticipated follow up to 2013’s “When…?” album from the collaboration of Dublin art terrorists Paranoid Visions and Crass frontman Steve Ignorant.
Over the past 2 years the band have played major festivals in the UK, Holland, America and Canada and garbered a significant following that surpassed the expectations of the original project. This is the collaborations only Irish appearance.
Sunday October 9 – The Workmans Club
Bill Blood – as part of Flexihead, Jackbeast and Redneck Manifesto, Niall Byrne has graced many DIY stages in the country and beyond. Bill Blood is his latest musical incarnation.
Carol Hodge – described as “Shakespeares Sister fighting Amanda Palmer and Tori Amos in a dimly lit Victorian pub”, Carol is a seven fingered pianist best for her singing work with Steve Ignorant (co-founder of punk legends CRASS) on his Last Supper world tour.
Ed Wenn – first visiting Ireland with the band Sink in 1992, Ed made his name with The Stupids, where his Ed Shred persona blasted out some early UK skatecore riffs. He has also been the main songwriter behind Bad Dress Sense, Big Ray, K-Line and more.
Mhaol – having made their live debut at last year’s WSO, M(h)aol have established themselves as one of the most fiercly political bands in Ireland today, with music to match.
Not Monsters – the meeting of deliciously experimental melodies and in your face power, Not Monsters are firmly in the DIY tradition – springing from a network of shared gigs, spaces and ideas.
Simon Wells – one of the founding members of UK Hardcore legends Snuff, Simon has continued to play and tour throughout the world with Your Mum, Southport and many others.
the objectorZ – sitting somewhere between hard rock n’ roll and punk, the Dublin band flter in a power pop influence.
What Is We Shall Overcome?
We Shall Overcome is a movement of musicians, artists and community organisers who are angry about the human costs of austerity policies but who want to do something practical to help those affected. For one week from 3-9 October we’re encouraging people to organise gigs and events that will –
1. Get direct help to those in our local communities who have been adversely affected by austerity policies.
2. Raise awareness, show solidarity or apply pressure to those who have political power
We operate under the tagline ‘A RAISED FIST & A HELPING HAND’
This is the eleventh in a series all taken from the Fanzine Hope *.2. The fanzine sees a collection of 70 contributors from the punk rock world. All asked the same question What is Your Favourite Gig.
The zine is €5 including postage to anywhere It is a benefit for Pikpa Refugee Centre, Lesvos
This week it is Derrick Johnston, head honcho of make that a take records
Leatherface headlining Book Yer Ane Fest V
Dundee in 2011
To answer a question about a favourite gig is pretty difficult; do I pick one that I’ve attended, one that I’ve played or one that we’ve put on?
There are loads that spring to mind; seeing At The Drive In back in 2000, Beastie Boys at T In The Park ’98, Against Me in King Tuts years ago, so many shows jump out at me; Kula Shaker at The Caird Hall in Dundee was my first “big” show way back in 1997 and I remember that I lost a shoe trying to crowd surf. That was when I figured out that hardcore and indie rock crowds didn’t necessarily mix!
Of equal importance was the gig at the now non-existent Westport Bar in Dundee on my 16th birthday when my band (Humus Kife) played with Mercury Tilt Switch, Tenesee Kait and Agent Orange (now Kaddish). That show was seminal and of great importance to me.
I’ve played some incredible shows with my various bands across the years too; from playing with some of my favourites (Off With Their Heads, The Flatliners, RVIVR; a sold out show in Edinburgh that was Uniforms’ first ever gig) to playing our first ever show in America at Pre-Fest 10 in Gainesville, Florida.
However, I think the greatest set I’ve ever seen with my own eyes was watching the mighty Leatherface headlining Book Yer Ane Fest V at Kage Nightclub, Dundee in 2011. I will never forget the feeling of being absolutely exhausted after playing earlier that day and running the show, which was our first three-day BYAF. I had lost my phone the previous evening and was running around demented all day. I was so nervous when Leatherface arrived as they’ve long been one of my favourite bands and to see them up “on stage” in our club at a sold-out festival was a surreal experience. We’re usually razor-sharp when it comes to timekeeping but nobody gave a shit that Leatherface were running over their set time. I mean, come on, would you go and tell Frankie Stubbs that time was up?
I’ll never forget that night. I believe pride can be a dangerous emotion but there are few times when I’ve felt more proud of being involved in punk rock than standing at the back watching a few hundred punks lose their minds while Leatherface blasted out classic after classic. A truly humbling and educational experience for which I shall be eternally grateful.